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NONFICTION | FICTION | DRAMA
NONFICTION
What's
my idea of the perfect writer's retreat?
Withdrawal In Moderation
By Gregory Gerard
Retreat
(n): To withdraw.
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NONFICTION | FICTION | DRAMA NONFICTION What's
my idea of the perfect writer's retreat? Retreat
(n): To withdraw. I'd guess that many writers draw on serene lakes set against shimmering sunlight as the key to prolific inspiration. For me, this only makes up one third in the trinity of retreat: A
serene lake (with shimmering sunlight), to draw my wandering gaze
between thoughts of consistent character and believable dialogue
A
three-prong electrical socket, to propel my laptop beyond its battery's
dying gasps
And, of no less importance, a pizza parlor within driving distance; one that has a thick, chewy crust, endlessly stretchable cheese, and a crimson sauce that is spicy and rich - with just a hint of something forgotten and sweet The
Spelling Ladder* I
learned from them all – but the things that guide my life today,
I learned from Sister Marguerite. In English, as we read Beauty and the Beast, she instructed us never to drive over the body of a dead animal, that the bones might puncture a tire. In
Health, as we studied muscles, she warned us to rush a person
to the emergency room if they had trouble holding their head erect;
someone she knew had died with this condition. She finished her rounds and revealed the assignment. They were spelling ladders. We were to make 100 "steps" on the paper, filling each rung with a correctly-spelled word. The hook? Each word had to begin with the last letter of the previous word. She showed an example: Cat.
Not
a difficult pattern. We had a week to complete the task and, if
all 100 were spelled correctly in the right pattern, we'd earn
a peppermint stick. I meticulously processed Teresa's (prepared to knock out the competition at the slightest error) but hers was correct. She received her peppermint and flashed me a smile. Teresa worked her way through Cathy's list. It was tense for me to watch as she picked her way carefully along the rungs…but Cathy, too, earned the coveted mint. Cathy
had my ladder. She was going slowly (slower than I had with Teresa's,
that was apparent) checking each rung excruciatingly.50, then
75, then 95 words passed her discriminating eye. She reached the
top of my list. "You know, Yay! Like Yippee!" I offered enthusiastically. "I don't think that's how it's spelled," she said in a cutting tone, both of us knowing well that yay did not appear in any version of the dictionary, no matter how contemporary. "I was just excited about finishing the list. Here, I can change it to YES!" I said, desperately trying to salvage the situation. "I don't think that's allowed," she finished, both of us knowing well it would not be allowed. Sister have given the assignment, it was now complete. No room for adjustment. Cathy brought the evidence before my sage mentor, my fifth-grade heroine. "I'm sorry," Sister Marguerite said pragmatically. "That doesn't qualify." I
turned back to face Cathy and Teresa, who were meticulously peeling
the plastic wrap from their peppermint sticks.
Nancy
Drew and the Disappointed Schoolboy Seventh grade had just begun when I read my first dirty magazine. Cloistered in Sister Marguerite's coat closet, my school friends conspired in whispers about Melody Brewster's bulging chest, about Farrah and her blood-red bathing suit poster. I prayed for the allure to grab me, but listening to the guys drool over Cousin Daisy Duke's short-shorts -- nothing grabbed. Regardless, I listened, enjoying their camaraderie. And their enthusiastic proximity. Pornography first entered my world in another cloister -- the hidden grain bin in our barn. My personal Fortress of Solitude. The perfect place to explore my first dirty magazine. My dad was unknowing supplier. His corner grocery had been successful in the fifties as the neighborhood's source for gas, fruit, bread. By the late seventies, when I worked the counter, Seven-Elevens and shopping marts choked both ends of Main Street. As profit margins on Band-aids and Allspice shrunk, Dad sought out merchandise that made more money. That's when he started selling Playboy. I worked there often, manning the counter before my voice had deepened enough to be defined as a man. Magazines were my turf, creating signs and categories to help people find High Times, People, and Rolling Stone quickly. I didn't have a category for Playboy, finally deciding to place it behind the counter so the lunchtime factory crew wouldn't browse for free. I maintained a detached disgust for this new addition; I knew from church it was wrong to lust. Until Pamela Sue Martin appeared on the cover. I'd loved Nancy Drew since I was six. Her blonde locks, her clever mind, her calm in harrowing situations. When Nancy came to TV in the form of Pamela Sue Martin, I was the most excited boy in Western New York. The magazine spread had sparked controversy I'd already heard about; the network wasn't happy about having TV's undercover operative working on top of the covers. I looked at her portrait and felt my own turmoil. Nancy, who danced gaily at the policeman's ball, who drove a stick-shift convertible and always outwitted criminals, was on the cover of PLAYBOY. A half-unbuttoned trench coat draped across her figure. A huge Holmes-ian magnifying glass in her hands. I had to see the inside, to see how deep the indiscretion cut. During my Saturday night shift, I snuck a copy into my backpack. This type of investigation was best conducted in private. At home, I retrieved my flashlight and climbed into the grain bin. Brushing the grime off a low wooden ledge, I sat alone with my heroine. I decided to turn through the book page by page - I knew I was supposed to be excited. Building suspense might help. There, in the limited circle of white, I slowly digested my first dirty magazine. Reaching the center article, Nancy Drew Grows Up, I stared at the pictures. In one, her breasts poked through some silky see-through material. In another, she sprawled naked across a chair, a velvet blanket barely covering her privates. What was the thrill? Why did men stand around the store and gawk? Why did my school friends strain to make out Melody's boobs beneath her sweater? In the deeper folds of my mind, the sections far from everyday boyhood wondered at my lack of excitement - but huddled in the darkened bin under the stark scrutiny of my flashlight's shine, I only felt overwhelming disappointment that Nancy Drew had done something so sleazy.
Being
Jesus (1976)
Mom
yells up the musty stairs if I'm gone too long. She shouldn't
worry, I'm not doing anything bad. Nothing I'd have to go to confession
for. Just
looking through stacks of curled, black-and-white photos. Or digging
for more of my sisters' Nancy Drew books. Or (if I'm absolutely
sure no one's home) pulling out Aunt Margey's flowery knitting
bag to see if I can figure out how to make one of those handy
pot holders. The
attic is my dust-smothered retreat, my own crowded kingdom. Here's
where I stay dry while raindrops pound on the roof over my head.
Here's where I find mysteries that chase away the loneliness of
drawn-out summer afternoons. Here's where I escape my older brother's
annoying teasing. Besides,
I don't have a lot of friends. The
guys in my neighborhood like to play football. Tackle football.
Or else they play pranks on kids, like stuffing Sammy Oakes into
the garbage dumpster behind church. I'm
different from them. I
don't like to do any of those things; they scare me. I'd rather
read a mystery book by myself. Or spend time in the attic. Today
I found something really interesting. A "Daily Missal"
prayer book that looks as old as the frilly white coverlet on
my Aunt Margey's bed. For people who don't know, a missal is the
little book gray-haired old ladies take to Mass on weekdays, it
covers all the Monday through Saturday readings (the books in
the pews only cover Sundays and Holy Days.) Because
we're Catholic, and because I want to be a saint-with-a-capital-S
someday, I know things about books like this. They're for holy
people. I
flip it open carefully. It's got an old leathery cover, worn but
still very intact, an indecipherable name scratched on the first
page. My imagination goes to work; I see some older guy receiving
the book at his first communion (back in aut four) taking it with
him everywhere (perhaps having been dragged to Daily Mass by some
gray-haired old lady), maybe carrying it to the trenches of World
War II. Maybe he even used it Over There, to read to the German
prisoners he had captured. Thirty years later, back in the States,
followed through my hometown by a Nazi spy, he barely had time
to hide the book in my parents' attic before the Krauts busted
down the door and rubbed him out. That's
how the attic makes my summer days less lonely. In
the back of the missal there's a list of "Fixed and Moveable
Holy Days." That's a little directory to help people know
when the special holidays are, like Easter, the ones that fall
on a different date each year. I
check out the list. Not only does it show every year into the
way past (1960!) but it continues right through to the year 2000,
when everybody knows we'll have flying cars and little flavored
pills for food. Doing
the quick math, I figure out I'll be 33 when 2000 hits, the same
age as Jesus made it to. Hmmm.
I
follow the list back to 1966, the year I was born. I
review the Holy Days in 1966
and then I see it
Ascension
Thursday was observed on May 19, 1966. Ascension Thursday, the
moveable holy day when Jesus floated up toward the clouds after
His resurrection to join God in Heaven. My
birthday! This
has to mean something. The date moves around each year, what are
the chances that it would be the EXACT day I was born? Just
like Nancy Drew, I go to work on a theory. Maybe this birthday
thing means I am supposed to float up to Heaven when I die. Maybe
I won't die at all, just take a shortcut up through the clouds.
I
start thinking about the year 2000. A good time to close up shop
down here. A nice neat number for God to call it quits and send
Jesus back to take us all up to live in the Kingdom. Sister Marguerite
taught us all about the Book of Revelation in fourth-grade religion,
and that was just a few months ago. But
what if
what if God was going to fake everybody out and have
Jesus come back as a child? Maybe in a small town like mine. What
if He just appeared from the crowd one day, 'Hi, I was really
here all along!' What if He is gonna start out as a regular kid
who maybe doesn't have a lot of friends so He can learn all the
stuff He needs to know so He can be God? And
I am gonna be 33 in 2000. This is all starting to fall together for me. Am I Jesus? I
always felt smarter than the other kids in Sister Marguerite's
class. And certainly smarter than my older sisters who nag me
constantly about the dumbest things. I know I'm holier than most
of my family too, except maybe my mom, she says the rosary almost
every day. My dad is a lost cause; he takes the Lord's name in
vain and always falls asleep during Mass. In
the Bible it says that Jesus (the first time around) "grew
in wisdom and stature". Sister Marguerite read that to us
one day. She told us how He didn't even probably know that He
was God when He was a little kid. He just did little-kid things
- like get lost in church and get yelled at by His parents. So
why not during the Second Coming as well? Why
not me? I
try to poke holes in my theory, like Nancy would if Bess Marvin
came up with some stupid idea about solving the crime even though
Nancy had it practically figured out. I
think about the sin issue. Of course, Jesus had no sin, everybody
knows that. And I had taken change off my older brother's dresser
to buy candy lots of times (but I'd cleared that up with Father
Bragdon in my very first confession.) Hmmm.
Maybe
that stuff wasn't as bad as Sister Marguerite taught us. I never
thought it was that big a deal. My brother owed me anyway - for
all the teasing. That I was afraid of spiders. That I couldn't
pee if anybody was listening. The
reality of it makes my head feel lighter, unless it's all the
sneezing from the dust I'd stirred up. What
would I do as Jesus? I
could clean up all the dust in the attic just by snapping my fingers.
Like Bewitched. But I wouldn't be lame like Samantha and withhold
my powers just because Darren said not to. Maybe
I'd make it snow really hard, so we wouldn't have to go to school,
maybe for a whole month. Or walk across the pond in the lot next
to church, and then just say "tut tut" when the gray-haired
old ladies gasped and pointed at me. And of course I'd be really
good at football, but I wouldn't play with the neighborhood boys
anyway. The
best thing about being Jesus is that I'd have lots and lot of
friends. People would come from all over just to listen to Me
and follow Me around wherever I went. There
might be some down sides to this whole thing. I'd probably have
to go to church more often. Would I have to make a big sacrifice
at 33, the same way Jesus did? Me on trial, maybe at the courthouse,
with a lawyer like Nancy Drew's dad trying to defend me for a
crime I didn't commit? While the District Attorney insists that
I deserve the death penalty? Nahhh,
I decide, that won't happen this time around. Sister Marguerite
taught us that Jesus' Second Coming is gonna be a "trumpet-sounding,
riding-on-white-horses, God's Justice-with-a-capital-J" kinda
thing. I
know some people have never heard of them. Sister Marguerite taught
us about that too. The Fatima stuff happened a long time ago,
back before Aunt Margey was even born, but it is a cool story.
How Jesus' mother floated on a cloud and three kids were the only
ones who saw her. And she told them secrets that they couldn't
tell the world. And how they offered up sacrifices until they
got to go to Heaven. It'll
probably be like that - the secret, mystery stuff with sacrifices.
I've read all the Saint books. The really good Saints, the real
holy ones, had to suffer to get to Heaven. Just because they were
different from everybody else. I
know suffering. Just because I'm different. I can feel it. So
be it. For now, I'll keep God's secret between Him and me. But
boy, my brother better look out at the turn of the millennium.
FICTION Mosaic Camp
stood his ground, assessing the damage. Most of the bistro was
intact; in fact, the only evidence of danger was the man-sized
hole in the wall, blackened at the edges. A brick wall, Camp reminded
himself. He glanced at the tourists, trapped in the corner, too
frightened even to snap a picture with one of the cameras that
hung round each of their necks. They
didn't appear to be hurt. Camp
had arrived in time. His
stance relaxed ever-so-slightly beneath the hunter-green muscle
suit he'd adopted for his work. A colorful design covered the
chest - Father G.'s rotund housekeeper had helped him with that
- and those who got close enough to Camp's lithe form could see
the many tiny faces woven into the fabric. Faces of people Camp
had helped, or befriended, or admired. On
the surface, his rumpled tan locks and the scruffy razor stubble
suggested he was unprepared for action. In fact, he'd already
spent much of the day breaking up a teenage gang war on the city's
south side. But that was only the surface. On closer inspection
of his cobalt eyes - the depths that reflected his soul - burned
the fire of a hero. Camp
returned his attention to the smiling villain in the sleek gray
costume standing between him and the restaurant patrons. He returned
the smile, while his mathematical mind calculated the space between
them. "I'm
so happy you're happy," he said, doing his best Bette Davis,
living up to the name he'd chosen for himself. Being a gay superhero
for almost four years, he'd learned early on that campy banter
was a requirement for any entanglement with a super villain. It
wasn't the most masculine part of his public image, but he'd figured
out that it put the bad guys off their guard. That alone was worth
being a little flamboyant. And, besides, he was gay, for God's
sake. GrayMatter
laughed, a sour, throaty sound that echoed of darkened alleyways
and screaming victims. "Getting rid of twinks like you always
makes me happy," he spat out, leaning forward and lightly
touching his bald temple. A small cloud of energy coalesced in
mid-air between them, oscillating frenetically, its pulsing lights
reflecting off the villain's steely eyes. The
three guys hiding behind the bar felt the heat in the room rise.
The two young ladies hiding in the men's restroom (it had been
the closest place to run when GrayMatter had suddenly exploded
through the bistro wall) heard a crackling buzz like a downed
electrical line. "Get
ready for a bumpy ride, Camp." He touched his forehead a
second time. The cloud shot forward. Camp
closed his eyes and concentrated. The
energy ball slowed. It shimmered as it paused in flight. Beads
of sweat formed on the superhero's forehead. GrayMatter's
eyes blackened. The
energy ball wobbled uncertainly, then, with purpose, reversed
direction. The
villain's head dipped forward in futility. "Yahhhhhh!"
he screamed, a guttural, animal howl as the frenetic light enveloped
him. Camp watched as the pulsing rose to a blinding flash. It
was over in an instant. GrayMatter slumped to the floor, still
breathing, but unconscious - and a little charred. "You
only got what you dished out," the superhero said, taking
a moment to secure GrayMatter's hands behind his back. Not that
he needed to. The villain wouldn't be causing trouble anytime
soon. Camp
lifted his head toward the tourists. "You folks okay?"
They
nodded. "Great."
He waved his hand around. "Now don't think this is what our
city is all about, okay? The Central Museum is really cool - and
the zoo is worth spending a whole day at!" They
nodded again. Cameras began to click and flash. Camp
turned to a waiter, who'd risen from behind the safety of the
long wooden bar. "Call 911, okay? They'll know what to do
with this guy."
The power had come to the surface when he was thirteen. Around
the same time the tingling below his belt had driven him to the
bathtub in the middle of the night. To finally discover what it
was all the guys joked about at the lunch table, on the playground,
in the locker room. He'd used the Shower Massage on himself -
down there - and it had all finally made sense. Except for one
thing. The
guys at Saint Vincent's all-boy school talked about girls and
breasts. The
priest was Camp's favorite teacher. He had a great Irish accent;
he could talk about the math or guy-stuff or faith and all Camp
could picture was an old bartender leaning over a whiskey bottle
to pour one more round, to tell one more joke. Father smoked a
pipe like a hobbit and his eyes had squinty creases at the edges
from all the laughing he did. The boys all called him "Father
G." Camp
received the test and scowled. Most kids would have danced to
get his grade, a 98. But he didn't celebrate. Math was his best
subject. He stared at the two red check marks that earned him
a 98. Not
100. Not
perfect. He
sat there and wished - wished hard - that he'd answered them right.
That the check marks were different. And somehow, in that moment,
something inside his head reached out and touched the ink on the
paper. They
inverted. He'd
been doing it for almost twenty years now. Inverting things. It
took concentration to get it right and, if he used it a lot, left
him wiped out afterwards. He feared getting it wrong, considering
the consequences of such a power. Consequences he knew first hand.
The "flip" - that's what he called it - worked on more things than just check marks and energy balls. He'd discovered that the night Jake slept over. When they were fourteen. Back in eighth grade.
They'd lain there in the darkness, giggling and talking. Jake
couldn't stop talking about Cheryl Brewster's tits. How big they
were. How he wanted to squeeze them. How he wanted to rub his
thing between them. Camp
had not wanted to hear about Cheryl Brewster or her swollen chest.
He'd wanted something else. Wanted it hard. After they both fell
asleep, he had a vivid dream. He and Jake were having sex. As
they mashed together, he felt the flip at work, reaching inside
Jake's body, touching each gene, working them, inverting them.
It was the hardest thing he'd ever done. In his sleep, sweat poured
out of him from the exertion. Touching bodies. Touching genes.
Inverting. He
woke sometime in the middle of the night with a violent ejaculation.
The sweat on his body was real. Jake lay beside him, snoring softly.
He went to the bathroom to wipe himself off, then returned to
the shared bed and fell back into an uneasy sleep. The
next morning, something was different. He felt it right away.
Jake was talking again. But it wasn't about Cheryl Brewster. It
was about Brad
Padrone from the soccer team and his muscular legs. Guilt
flooded through Camp. He'd
changed his friend. He didn't know how he'd done it. And he wasn't
sure he could undo it. He
tried to reach out with the power, but it was exhausted, spent.
He'd have to try again later, after he'd had a chance to recharge.
The flip had never felt this worn out before, no matter how much
he'd used it. What had he done? Camp
looked up at the after-dinner sky, filling his lungs after the
quick battle with GrayMatter, shaking off the memories of the
past. If he hurried, he could make it down to the harbor before
sunset. He always sought out solitude after using the flip in
a big way. Father G. had taught him that, a way to retreat and
recharge. He loved to watch the purples and reds in the heavens blend and darken as twilight became dusk. It reminded him of his thirty years of life. Sometimes churning. Sometimes dark. But always a part of something bigger.
He
couldn't figure it out. His mathematical brain screamed for a
solution, an inverse equation, but as freshman year became sophomore
year, and sophomore became junior, Jake kept on liking boys. When
the girl Jake used to date cried and called him ugly names. Names
like "fag" and "queer". When
the kids in gym class stopped choosing him to be on their team.
Kids who used to fight over him. When
Jake arrived at school with a black eye - compliments of his step-father,
who said he didn't want a "sissy" for a step-son. All of that was bad - especially the last one - but it didn't prepare Camp for the worst feeling. The worst feeling, three years after high school graduation, was still as vivid in Camp's mind as noontime sun scorching the desert sand. He'd
gone to Jake's house, then backyard, then garage, looking for
his friend. Just to say 'hi'. Camp
found him in the garage. Below
the belt, Jake wore his favorite jeans, the acid-washed ones.
The ones with the designer label he'd saved up for. Above
the belt, the only thing he wore a the rope around his neck -
the same rope they'd used to secure the tent to the top of the
van when they'd driven to the Adirondacks last fall. It had squeezed
the breath from his best friend's body with the same efficiency
it had held the tent poles. After
Camp screamed, After
he cut down his friend, After
he saw there was no way to breath life back into his icy body, Camp
found the letter in the front pocket of Jake's designer jeans.
Addressed to Camp, it talked about how sorry he was, but that
he just couldn't stand the loneliness anymore. That was the last feeling Camp allowed himself to feel for a very long time. Heading
toward the harbor, he walked down Lake Avenue, past all the little
shops and cafes. Spring shined everywhere - lilacs and daffodils
came alive from every corner, every window box. Guys came alive
as well, strutting down the street without their shirts on. Camp
drank in the scenery. Spring topped the list as his favorite season.
Springtime had given him back his own life. He
reached the park at the edge of the lake and stopped. "He
jumped out, oh my God, he just jumped!" a woman shrieked.
After Jake was gone, he'd squashed both the flip and his desire.
The rest of college seemed like a dark, fuzzy blur in his mind.
It
was Father G., his eight-grade mentor, who'd recognized him in
the back pew of church that night when he was twenty-five. That
spring when he was thinking that he couldn't stand who he was
anymore. When he was thinking about joining Jake. They'd
talked for an eternity - all night long. Father G. had listened
as Camp poured out his soul, his sobbing confessions and secrets
echoing off the stained-glass windows, the fluttering candles
on the altar reflecting in his tears. When it was all out, when
he was quiet, Father G. had reached over and cupped Camp's neck.
"Dear
Bae," he'd said, his accent as thick as an Irish bog. "I
don' know much about super powers, but I know a wee bit about
people. And I like ta think that God and I're on pretty friendly
speaking terms." The priest smiled. "For
starters, ya can't carry around the guilt of your friend's death
on your shoulders. We're accountable for our own choices - not
everyone else's. What Jake chose coulda happened even if you hadn't
been involved. Ya don' need to carry your own burden and his too,
Son. That's just not what God asks of us." Camp
digested the words as the priest continued. "Now,
about men luving men - I do know this about that. Ya don' have
ta hide who ya are, or who ya luv. All He expects is for ya to
BE who ya are, who He meant for ya ta be. God didn't make each
of us exactly like ta other. Thinka how boring that would be!
He's got a lot more imagination than that." Camp
looked at him, his nose running onto his dirty tee shirt, wanting
to believe. "But I hate who I am," he whispered. To
Camp's surprise, Father G.'s smile widened. "Ya know, Son,
I think from His view, we're just one big beautiful picture made
up of millions of tiny little beautiful pictures. Ya ever seen
any of those over in Europe, those glorious stone mosaics - the
really old ones that have survived for centuries?" The
young man shook his head from side to side. "We're
like them, Son. We're not supposed ta be all the same. If we were,
there'd be no picture. That's the word I think of, when I'm feeling
lonely, or like I don't belong. Mosaic." Father Grattan leaned
forward and gently kissed his forehead. Camp smiled for the first
time in weeks. They'd
met more times over the next year, just to talk, or laugh, or
drink Guiness beer at the city's only authentic Irish pub. Week
by week, the weight of his personal guilt lightened until, waking
one morning from an untroubled dream, he knew - with certainty
- his purpose. He stepped out of bed, straight and tall, ready
to be what he was born to be. A
hero. The flip could help people; it seemed the best tribute to Jake he could think of. Over the last four years, he'd spent his days (and sometimes evenings) fighting against whatever and whoever threatened his city. He'd also spent his evenings (and sometimes days) pursuing other interests: helping Father G. at the church's supper program, playing in the gay volleyball league up by the lake, and occasionally, meeting someone extra special to consider spending his life with. At thirty, in a city full of eligible gay men, he had lots of time. He wasn't going anywhere - for some reason, the city seemed to enjoy having a gay superhero as a protector. In
the park near the restored wooden carousel and the statue of a
war hero from the American Revolution, the boy lay sprawled. He
was young, no more than nineteen or twenty. His body was all wrong,
Camp could tell right away. The boy's left leg twisted backwards
in a way legs weren't intended to twist. His head bled from somewhere
in back, the blood spurting hot onto the cool ground. His eyes
were a wet red. And still he breathed, a hoarse, raspy sound.
The
nearby woman continued to shriek out the details. "I saw
him on the sidewalk, and then he just jumped out in front of that!
Like he wanted to kill himself or something!" Camp followed
her frantic pointing to the garbage truck parked halfway over
the curb. "His body just bounced off the front and landed
here," she continued. Tears
pumped into Camp's eyes. He fought them - he didn't like to cry
in front of people - but the boy looked so young. Around Jake's
age, he couldn't help thinking. "Stand
back," he commanded. The crowd, including the shrieking woman,
recognizing his authority, relented. He knelt, leaning close to
the boy's head. He had to be careful. A wrong move would be fatal.
And he was still wiped out from the battle with GrayMatter. Jake's
face rose in his mind, whispering to him, encouraging him. The
blood on the pavement reversed its flow, heading back into the
boy's skull. Camp concentrated, sensing rather than seeing. He
had to clean the blood as it went, inverting the bacteria - each
molecule - that had come from the ground. His own brain strained
with the effort. There would be no campy quips during this struggle. The
leg was easier. It twisted miserably beneath the boy, but a relatively
simple inversion brought it straight. Reversing the breaks just
took a minute. Camp
reached out again with the power, exploring the boy's mottled
insides, flipping, repairing, reversing. Sweat gathered on his
temple, in his arm pits. He couldn't afford to make a mistake.
He'd attempted healing people like this before, but never anybody
with this much damage. "Holy
shit!" he said, watching Camp's superpower at work. "SHHHHH!"
the crowd collectively hushed him. The
boy stirred. His eyes rolled, then settled, then focused. "Shit,"
he spit out. Camp
breathed out and smiled. Tension flooded from his body. In the
distance, an ambulance siren wailed, growing louder. "Well
I guess you're alive." He leaned closer, so that only he
and the boy could hear. "Why'd you jump in front of a garbage
truck?" he whispered. Camp
placed his hand around the back of the boy's neck, cradling his
healed skull. Tears worked their way down Camp's own cheeks, but
he no longer cared who saw them. "You know, there's a word
I think about when I feel lonely or like I don't belong,"
he said. The
boy's eyes widened, a tiny spark of life rekindling in them. "You
feel lonely?" Camp
smiled. "Sometimes. But I got some good advice once and it
sticks with me. Helps me remember that we're all a part of something
bigger." He leaned closer, his lips almost touching the boy's
right ear, and whispered one word. The
boy looked up at him; his eyebrows rising as the pain in his face
receded ever-so-slightly. Camp laughed and handed him a small
card. "Call this place. They're friends of mine; they can
help you discover who you are. And what we're all a part of. My
e-mail address is on there. Let me know how it goes, okay?"
The
boy nodded. Standing,
Camp looked around at the crowd. "Make way for the ambulance
crew," he said in his most authoritative, superhero tone.
He smiled down at the boy. "You'll be okay now." The
boy's eyes moistened again, but Camp could almost see something
deep and dark loosening within his chest. He knew the signs. The
kid really would be okay. Paramedics
arrived and took over care of the young man. Attention diverted,
Camp disengaged from the crowd and slipped away. The reporter
chased after him, across the park, toward the pier. "Hey,
Camp!" Camp
pretended not to hear. "HEY
CAMP!" The reporter was insistent. The
hero paused and turned. The
reporter thrust the microphone toward his face. "That was
pretty incredible back there." Camp
smiled. The
reporter continued. "This power you have. Ya know, the inversion
thing. Why don't you use it on yourself? Ya know, make yourself
straight? I mean, chicks, they got more to offer a guy, ya know
what I mean?" he said, staring, waiting for an answer - a
sound byte. Camp
thought for a moment before responding. "Well", he said
finally. "First of all, that's not as easy as you might think."
He glanced down for just a second. The reporter waited, scanning
for tears. The
moment passed quickly. "And
secondly," Camp continued, lifting his head and looking the
young reporter straight in the eye, "I guess I like me the
way I am," he said. Alone
on the pier, Camp walked to the very tip of the weather-worn dock
and, dangling his legs over the edge, settled in to watch the
churning kaleidoscope of colors in the Western sky. The
Talisman Museum* talisman (n.) An object empowered to protect its wearer. Welcome,
souls, to The Talisman Museum. We've existed for many centuries
to record a *special* history. Upon your entrance, you've been
asked to select an object of your choosing from our guest collection.
Tonight, I invite you to hold those objects close as you join
our journey through our museum's most delicious and popular exhibit
in our lower court. Anti-Charms. You've all heard of the rabbit's foot, a found coin...all of our wonderful, magical, tangible bits of luck. I ask you: have you every considered how "lucky" it was for the rabbit? The person who lost the coin? Tonight we will explore the darker side of talismans. A note of caution: Autumn's rain-soaked evenings draw thousands of pilgrims with the same wants: to gawk, to stare, to paw through our ... special artifacts. I see no difference in the desires that lurk behind your pallid faces. So before I begin, I say this: the...uniqueness...of our collection draws many human reactions. Curiosity. Revulsion. Fascination. Panic. Whatever emotional baggage you carry this hallowed eve, I encourage you to make your own peace now. Draw close. And listen. § Holy Water Mr.
Brandon Skuce carried a tiny flask of holy water everywhere. Each
morning to the gym on thirty-fourth and seventh, where he'd won
a year's membership. Each day to the office tower where he'd finagled
a window cube. And each evening, to the apartment of his latest
lover, the choice of the day. He
couldn't seem to put it away, the tiny vial, ever since his altar
boy days. The water had kept him safe - from danger, from disease
- through countless encounters. For in addition to being a very
handsome and successful man, Mr. Brandon Skuce was a thief of
hearts, a playboy. Dark
thoughts lurked within. Fascinations with meat. And sex. And power.
That night, for no reason a sane mind can recognize, became pivotal.
When Brandon brought his lover to climax that evening, he received
a meat thermometer through the chest as reward. The thermometer's gauge quickly peaked at ninety-eight point six. § A Grandmother's Letter Miss
Rebecca Schlagel never left her family's Manhattan townhouse without
taking her special letter. The last letter from Gramma Ruth, with
it she kept her beloved grandmother close. Gramma Ruth, who taught
her everything about being a lady: how to dress in finery for
the theater, how to wait for the coach's driver to open the door
before stepping onto the brick-lined street, how to be eat daintily
in Manhattan's better restaurants. She'd
started by carrying the letter at Gramma's funeral, just four
years ago. She'd brought the letter on the overseas voyage to
France...and what a wonderful summer that had been. She'd kept
the letter close the night Fredrick had proposed. Nothing bad
could happen as long as Gramma's spirit was close. On
12 January 1877, Gramma's spirit apparently disentangled itself
from the talisman. Rebecca and Fredrick were enjoying Victor Hugo's
latest opera, La Giocanda. During the Dance of the Hours, she
slipped a breath mint into her mouth. Gramma Ruth had taught her
that a lady is fresh, always. As
the soprano onstage poured forth raw emotion, Rebecca held her
breath, overwhelmed. When she finally drew air in a large gasp,
the mint lodged itself securely in her windpipe. Fredrick's frantic
pounding on her shoulder blades did nothing to help, although
the coroner was able to remove the mint quite easily, several
hours later. He didn't note in the autopsy report that her mouth smelled quite fresh. § Skeleton Key Master Ricky Alleto loved the skeleton key he'd found in the back of the barn behind the stack of dirty magazines his older brother stored there. Looking at the magazines was one of the few times his brother didn't tease him, although he couldn't understand the appeal. The woman with their enormous breasts and empty crotches didn't excite him the way they did his brother. That's probably why he was looking at the floor, why he spotted the key among the hay and mouse-droppings. He'd worn the key on a heavy chain around his neck ever since: on the fifth-grade playground (where he'd successfully avoided being pummeled by the football players during a sporty rampage), to Miss Pitrella's county spelling bee (where he'd taken first place as she'd assured him he would), and even into the bathtub that night he'd first played with the shower massage down there (although it worried him that he'd been thinking about his best friend, Jimmy, at the time.) The key had brought him luck. On 06 October 1979, Ricky's skeleton key chose to unlock a different brand of luck; all of it bad. He'd been crawling along the catwalk near the roof of the barn, trying to impress his older brother, when the decayed wood gave way beneath him. The fifty-foot drop didn't cause him any trouble; he never made it that far. As he began to fall, the key's chain caught on one of the catwalk's brackets, successfully strangling him before his brother's screams had ceased. Ironically, when the paramedics arrived and cut down the body, the key flew into the air - coming to rest once again behind the stack of dirty magazines, to await its next owner. § I
thank you, gentle souls, for visiting our museum. Please, enjoy
the objects you've chosen tonight. Keep them close. Keep them
safe. The Talisman Museum shares them freely with joy -- and with
caution. Don't come to rely on them too often, too much. We'd
hate to see them again someday...perhaps in our museum's most
delicious and popular exhibit?
The
NERVOUS STOMACH Series* Saturday, November 03, 2007
The NERVOUS STOMACH Series: Ego Strategy 9 - LIQUOR STORE ROBBERY
I hit the vodka aisle while they wander toward the Jim Beam, Southern Comfort, and Bicardi. While I'm back there, I hear a scream and a crash up near the front of the store. I look around the Absolut cardboard cut-out of a hunky skiier sipping his screwdriver (made with Absolut) in front of a cardboard fireplace with some hot cardboard chick. Near the cash register, there's a short guy with a nylon stocking over his face. He's got a black pistol in his hand, and he's pointing it at the clerk, an older guy who always smells like cigar smoke. He screams at all my friends to lie on the floor, but he doesn't see me. I grab a smaller bottle of Smirnoff (.5L) and sneak up the side aisle, the one near the coolers of boxed wine. He shouts at the clerk to stuff all the money into a black satchel that he's brought with him. He keeps glancing around and waving the pistol, and although I don't know a thing about guns, I imagine that it's a semi-automatic, something that will "riddle me with bullets" like in a Raymond Chandler novel. In a single moment, several things happen at once: The front door swings open, ringing the bell hanging just above the hinge. It's two college-age girls. My high-school best friend (the one I secret have a crush on) shouts at them to get out. The gun man fires once toward the girls, missing them completely, but shattering the large glass display window that explodes into a billion pieces. The crook pivots, aiming the gun at my best friend. I've seen all this happen, but my body is in motion without me thinking about it. I'm climbing the cases of local New York wines, yelling at the top of my lungs like something out of Platoon, and I whip the Smirnoff bottle at the perp's nylon-covered skull. Later, when the police and ambulance lights are flashing at frantic intervals in the parking lot, when the cops are talking to each of us, writing furiously on their triplicate forms, when radios are buzzing with static and barking orders from some unseen dispatcher, I watch them haul the crook away on a stretcher, his head still bleeding from the force of my well-aimed blow. The girls, the clerk, the cops are all praising me -- but it's the full-body, never-ending hug from my best friend that makes my heart race. DRAMA Two
Bitchy Queens Scene
is a split stage. Stage left décor smacks of the Middle
Ages, European, a kingly hall. Stage right is modern times, a
dance club with a rotating disco ball flashing overhead. In
the kingly hall, an older woman sits on a throne-like chair; a
twenty-year old girl squats silently on the floor at her feet.
The woman is wrapped in regal finery; purple swatches of velvet
and silk brocade are draped around her prominent shoulders. Her
quaffed hair resembles a tightly-wound hornet's nest. In the dance club, an older, balding man sits on a bar stool while a twenty-year old boy dances very energetically nearby. The man wears neatly pressed dress pants and a black turtle neck that reaches nearly up to his chin line. Lights
up on Stage Left: ------------------ Woman:
"Guards! Take this fool away and do with him what you will!" Woman reluctantly joins him at the bar. Fade
to black. The
Fabulousness Of Gay* (Two men sit in a shiny new Honda CRV outside of a Target store. The driver is forty-ish, a sleek and cultured queen wearing a black turtleneck. He has pursed lips, and there are hints in his face that suggest a history of alcohol consumption. The passenger, his apprentice, is younger, fresher looking, although his nervous gestures and quick glances suggest a man less sure of himself. A lone shopping cart occupies the parking space opposite theirs.)
Apprentice: Let's start with her, she's gonna do it, she's feeling too goody goody today. You can tell by the way she's looking all around for the cart return. Queen: (acerbic) Sister, her box of wine is calling her name LOUDLY and, besides, she has to race home and catch General Hospital. Apprentice: (laughing) Oh, you're SO right! OK, how 'bout this one? The one with the paisley leg warmers? Queen: Hmmm, no, no she has to pee. See how she's waddling along all leaned over like that? Plus she's too worried that her husband is knockin' booties with his secretary to notice a cart in the middle of the parking lot. Apprentice: Alright, let me do one. Oh! Oh! Over there, that guy with the tight jeans Queen: (leering) Oh baby, he can return my cart anytime. Yoo hoo! Tight Jeans Boy! Apprentice: SHHHH! He'll hear you! Queen: You ARE new at this, aren't you? We observe and we comment. We NEVER SHHH. Apprentice: Sorry. Queen: (over-dramatically) All Is Forgiven. Apprentice: It was my turn. Ummm, how about Blonde-Out-Of-A-Bottle over there? Queen: Honey, with the spare tire THAT truck is hauling, she'll be lucky if she makes it into the store without her OXYGEN tank. Apprentice: What's up with all these women out shopping at Tar-jzay at 6 o'clock? Shouldn't they be home making their manly-men dinner? Queen: This is the age of empowerment, Sister. They're off running up the credit cards on new curtains and dried flowers while Daddy sits home and changes the diapers. That's why WE'RE holding all the cards, Honey. WE'VE got the money, WE'VE got the personality and WE'VE got the designer wardrobe. The straight boys just don't have a chance anymore. Not that there was ever much hope for them to begin with. Apprentice: So if we're the ones with all the power and money, what's the rest of the world do? Queen: (with open disdain) They push out a few kids and show up at Grandmama's on Sunday for meatloaf. It's FRIGHTENING, I know, but take comfort, my dear, the world doesn't belong to them. They like to think that it DOES but we know the truth. And that's the beauty of all of it, the FABULOUSNESS OF GAY. Apprentice: (looking at Queen in awe) How did you learn all this? Until I met you and the other guys, (he drops his gaze to his lap) things were kind of tough. (Queen looks directly at the Apprentice, and his face softens ever so slightly, as though remembering some private pain of his own.) Queen: (with a slightly lower, normal speaking voice) Diamonds don't shine until they're nearly crushed under the pressure, kid. We've all been through it. We make it to the other side. We become FABULOUS and the rest just falls into place. (Apprentice looks back to Queen, his eyes damp. His naïve awe prevents him from comprehending the shared connection that has been extended. Uncomfortable with tears in front of his mentor, he spots movement in the parking lot, and quickly shifts back into the game.) Apprentice: Hey, look! Here comes Tight Jeans Boy again. Look, he's returning the cart to the store. It figures, the man to the rescue. (Queen's face is unreadable for a quick moment, as though some emotion might surface, then takes on the former, familiar pursed-lip look.) Queen: (returning to affected sophistication) The WAY of the world. OH, TIGHT JEANS BOY, DO YOU NEED A RIDE SOMEWHERE? Apprentice: SHHH! He'll hear you! The Queen: (coldly) SHHH me again and we're no longer sisters. Apprentice:
Sorry.
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